Addleshaw, Percy

About the author

Percy Addleshaw (1866–1916) was an English author and critic who made significant contributions to the study of ecclesiastical architecture in the late 19th and early 20th centuries. While less renowned than some of his contemporaries, Addleshaw demonstrated an unwavering commitment to uncovering the stories and artistic achievements enshrined in England’s Gothic cathedrals. His writing often balances artistic critique with historical documentation, offering a multidimensional view of sacred buildings and their broader cultural significance.

Among his works, Bell's Cathedrals: The Cathedral Church of Exeter stands out as a meticulous examination of one of England’s most striking medieval cathedrals. Within its pages, Addleshaw guides readers through the cathedral’s structural evolution, from its earliest architectural fragments to its later Gothic elaborations, shedding light on the aesthetic and spiritual ideals that shaped each phase. He situates Exeter Cathedral within the tapestry of English religious history, illustrating how political shifts and theological debates left their mark on the building’s design. This contextual approach enriches the reader’s understanding, elevating the text beyond a simple guidebook to a work of historical and cultural relevance.

In addition to chronicling architectural details, Addleshaw delves into the lives of the bishops and patrons who influenced the cathedral’s development. By highlighting these individuals’ ambitions and convictions, he underscores how sacred spaces often reflect the communal values and aspirations of their era. His analytical yet accessible style allows lay readers and scholars alike to appreciate the craftsmanship involved in constructing such monumental edifices. Today, Addleshaw’s writings remain a valuable resource for enthusiasts of medieval history and architectural preservation, providing an intimate portrait of Exeter Cathedral’s growth over centuries. Through his careful scholarship, he invites us to see beyond the stones and arches, recognizing these cathedrals as living testaments to the evolving faith and artistry of a bygone age.