Andrews, Matthew Page

1879-1947

About the author

Matthew Page Andrews (1879–1947) was an American historian and educator whose writings focused on Civil War memory, Southern heritage, and the forging of a national identity through regional traditions. An integral figure among early 20th-century chroniclers of Southern history, Andrews sought to reconcile the South’s past with the broader American narrative—a pursuit that often entailed highlighting valor and noble sacrifice while glossing over or minimizing the era’s systemic injustices. His best-known volume, The Dixie Book of Days, exemplifies this nostalgic style, merging date-by-date historical notes with anecdotal vignettes, collectively celebrating Southern customs, personalities, and regional lore.

Within The Dixie Book of Days, Andrews organizes each calendar day around a notable event, person, or tradition from the American South. Whether commemorating a Confederate general’s birthday or the publication date of a local literary masterpiece, he situates these moments as vital threads in a tapestry of Southern identity. Alongside historical allusions, the text includes reflections on nature’s rhythms, seasonal festivals, and a romanticized interpretation of antebellum society. This format encouraged everyday engagement, allowing readers to imbibe “Southern spirit” through daily reading rituals.

Although clearly sentimental and designed to foster regional pride, the book also revealed Andrews’ ambition to weave the South more fully into the national memory. By emphasizing literary accomplishments, Christian piety, and hospitality traditions, he aimed to soften the region’s post-Civil War stigma, championing the idea that national unity could be strengthened by honoring regional distinctiveness. However, modern scholars often criticize such works for omitting or downplaying difficult subjects like slavery, racial violence, and Reconstruction-era struggles. Andrews’ romantic approach—common in many white-authored Southern histories of that period—contributed to the “Lost Cause” narrative that shaped collective memories of the Civil War, heavily influencing southern civic celebrations and identity formation well into the mid-20th century.

Stylistically, Andrews balanced historical reference with a lyrical, even sentimental tone, evoking pastoral images of plantations and gallant figures. By capturing small daily tidbits—battle anniversaries, birthdays of poets, or agricultural festivals—he cultivated a sense of ongoing legacy, implying that Southern culture was best appreciated in continuous, everyday remembrance. While this approach resonated with readers seeking a nostalgic reaffirmation of perceived Southern virtues, it also sidestepped frank confrontations with racial and political complexities.

Today, historians evaluate The Dixie Book of Days as part of a broader literary trend that shaped regional consciousness and contributed to a selective historical memory. Despite questions about accuracy and omissions, the work stands as an artifact of a time when local pride and nationalism intertwined with mythmaking. Matthew Page Andrews remains a figure whose writings exemplify a particular mode of historical storytelling—one that fused romantic devotion to place with a desire to align the South’s cultural contributions to a united American saga. Examining his work offers insight into how collective memory is crafted and how cultural narratives can obscure or elevate certain truths.